Looker-On Volume 4.cWilliam Hansell Fleming
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Author: William Hansell Fleming
Number of Pages: 152 pages
Published Date: 06 Mar 2012
Publisher: Rarebooksclub.com
Publication Country: Miami Fl, United States
Language: English
ISBN: 9781130728583
File size: 44 Mb
Download Link: Looker-On Volume 4
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This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1897 Excerpt: ...By Rubin Ooldmark.... 375 JOHANN STRAUSS, .. By Henry T. Finck. 387 THOMAS HARDY'S NO.VELS By Joakih Reinmard 299 A GLIMPSE BEHIND THE SCENES AT CLARA SCHUMANN By RUTH HUNTINUTON SESSIONS 310 THE FACE OF THE MASTER: A STORY By MYRTLE REED 317 Illustrated By Zella Milhau THE OLD PIANO: A STORY By Samuel Minturn Peck.. 39 THE PHILHARMONIC SOCIETY--Analysis of Program of Concert April Tenth... By Alfred Remy 338 MUSICAL NOTES, .. By Henry T. Finck 345 BOOK REVIEWS, .. By Editor. 354 On the Idea of Comedy and Of the Uses of the Comic Spirit.: Cyclopedia of Practical Quotations. DRAMATIC NOTES, .. By Editor 358 EXPRESSION IN VOICE AND ACTION, .. By F. TOWNSEND SOUTH WICK. 360 REVIEW OF NEW MUSIC, . By Alered Remy 364 MUSIC TEACHERS' NATIONAL) ASSOCIATION.. VBy EDITORS v.... 368 PROFESSIONAL NOTES. WEBER PIANOS Have the most SYMPATHETIC TONE Because constructed from the MUSICIAN'S STANDPOINT Warerooma, 108 Fifth Ave., New York; 358-360 Wabash Ate., Chicago THE LOOKER-ON PUBLISHING CO., 1402 BROADWAY NEW Y0--"--i. -i v I- ., -b October la. Mao '. % THE LOOKER-Q APRIL, 1897 CARL GOLDMARKV By Rubin Goldmark.. Contemporaneous musical history furnishes" ample evidence of the severe struggle the composers of the older generation have had in their efforts to obtain recognition. Those especially who are composers only, and not at the same time virtuosos, generally found the road long, and hard to travel. Men like Rubinstein, Liszt, and even Brahms, who attracted European audiences by the glare of their virtuosity, found a ready hearing for their compositions. On the other hand Wagner, Dvorak, Tschaikowsky, Goldmark, had long passed the prime of life before their creations had fully penetrated the musical world. Carl Goldmark was fully forty...
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